interview by emma watts

We had the chance to pick the brain of 29 year old music photographer Allister Ann, who is known for her work with The Civil Wars, Adele, Andrew Bird, Dolly Parton and many more. While being one of the only female touring photographers, Allister’s range of work also includes lifestyle, editorial spreads, press shots, and film. She has recently added Director to her resume, as she’s directed Tegan + Sara’s “Stop Desire” music video and Dan Auerbach’s “Stand By My Girl” music video. See Allister's work, listen to her playlist + read our interview below.

How and when did you discover that you were meant to be a photographer? Did you grow up in an artistic family?

In high school my sights were set on becoming a fashion designer but with my fathers 35mm camera I also began taking photos and learning about the dark room.Coming from a family where art was a part of our daily activities I took a lot for granted and saw photography as just another avenue to explore.

I think the discovery evolved when people outside my immediate circle liked my photographs, which encouraged me to take it more seriously. It wasn't an overnight thing, it was a process of identifying what form of art expression best suited me, and once I did, it just seemed natural to pursue it as a career.

What are some advantages and disadvantages you've come across as being a woman in the music + photography industry?

I'm so glad you asked this question, because this is something that does need to be addressed.I had a father who never made me think twice of my limitations because of my gender, especially in the work field. Unfortunately I have a handful of stories that have stuck with me, and am still finding that being a woman in this profession is honestly still challenging. From assumptions that I lack knowledge of my craft to speculations that my career has progressed not based on my work, but because I have some advantage being a female has been f***ing hard at times to deal with. I used to take it personally and felt vulnerable in a seemingly male dominated business, but there came a time when I felt that I didn't need to prove myself any longer, or dilute my leadership attitude, and found strength and confidence in letting my work speak for itself.

I had the opportunity to spend time with Dolly Parton a few years ago. I think she exemplifies how a woman can conquer any negativity in the work place. When she is faced with judgement or preconcieved notions, she simply finds humor in it. She handles herself with grace and dignity, is extremely intelligent and business savvy, and in that, gains the respect of everyone that encounters her.

When I find myself in a situation of being looked at or spoken to differently because I am a female, I remind myself to find that humor, and not be distracted from doing my job.

How did you come across landing your first big gig working with a musician? Were you a fan of them beforehand?

I was in Nashville mostly photographing musicians for promotional work. Charlie Peacock, a dear friend who's a well known producer connected me with a nameless group that needed photos. Fast forward, once they named themselves The Civil Wars and were ready to go out on tour, they asked if I could go along to document their story. I guess you could say the rest is history. We spent almost 3 years together touring the world.

It was amazing watching their career grow so rapidly. In a shot time they went from small venues to Royal Albert Hall to the Grammys.

It was an incredible journey to be a part of.

Do you tend to surround yourself with people who are like-minded, and that you creatively bond with?

Completely. I think there is a camaraderie among artists. We have a tendency to gravitate towards one another for no other reason then to simply have someone that understands our eccentricities. Inspiration is a constant thing we're all looking for, and if you find someone that can relate to that, and understand it, you connect with them. I have been very lucky to have worked with artists that I can now call friends.

Where do you draw inspiration from? Friends, strangers, music?

Inspiration can come from anywhere or anything. I don't necessarily think it originates from outside influences so much as it starts from inside. It's what frame of mind you're in. For me, surfing at sunrise,poetry, flowers, music, watching a sunset, whatever it takes to get you in a peaceful, open minded place which will ultimately become a creative space.

Among your many work styles, which is the most challenging, and which gives you the biggest rush?

That on the spot decision in documentary work. It can't be preplanned. You can't arrange it. It's instantaneous. It can end up being awkward, or perfectly captured. It's a second, never to be seen again. You can't change the subject, but the subject can change you and your perspective of how you see it.

What are some of the most rewarding things that have happened to you since starting your career?

I remember once going through airport security, and as I was getting my computer out of my bag to put into a bin, there was an album cover I shot as the advertisement on the bottom of the bin. It's those kind of things when I’m alone that I get excited about. As far as feeling rewarded, I can pick up some rolls of film and go through them and become thrilled to see how they turned out. Each job can bring a sense of fulfillment. I know what keeps me going in many ways.

Is there someone you dream of working with? Have you accomplished that dream?

My list continues to grow and change from day to day for different reasons. I'm lucky in that my work gives me the opportunity to meet those I would normally never get to meet, and that is one of the most exciting parts of my job. If I had to name one off my list right now it would have to be Juliana Wetmore, an amazing 11 year old girl. I've followed her story for years, she's truly one of my heros.

This summer you directed a music video for Dan Auerbach - how did that come about, and what was your favorite part of the process?

I received an email saying that Dan wanted me to direct a music video for him. Once I heard the song and sent him my idea for it, we were immediately on the same page. My love of thrillers and horror movies is ultimately where my goal is as a director, and the song had a Hitchcock like story to it. Location was Nashville, actors from Instagram were from different states, vintage wardrobe was a scavenger hunt, and finding the cat was just pure luck. Favorite part? An amazing crew that came together and made it all work flawlessly.

And lastly, what are some words of advice you have for upcoming women photographers?

Become knowledgeable of your craft. Your strength and confidence will follow. Don't feel the need to prove anything simply because you're a female. Your work is what represents you, so allow for it to speak for itself.

Photos by Allister Ann

To see more of Allister's work, visit her website: allisterannwork.virb.com.

Watch the official music video for Stand By My Girl by Dan Auerbach below, directed by Allister Ann.